
"ART IS THE DISCIPLINE OF BEING"
Beth Fleenor's musings, projects, compost-itions and inspiramentations
(please note: this site is intended as a sketch book/travel journal for the activation of this artist/human..more in depth discoveries can be found by jumping to other web stations through the portal on the right)Friday, November 11, 2011
Thursday, November 10, 2011
Saturday, November 5, 2011
MALCOLM GOLDSTEIN
presented by
Earshot Jazz Festival & Nonsequitur
November 4, 2011
Malcolm Goldstein with BF, Stuart Dempster, Eric Barber, Esther Sugai & Lorri Goldston

photo by Daniel Sheehan
Composer and violinist Malcolm Goldstein has been active in the presentation of new music and dance in New York since the early 1960s, as co-founder of the Tone Roads Ensemble and as participant in the Judson Dance Theater, the New York Festival of the Avant Garde and the Experimental Intermedia Foundation. For nearly five decades, he has toured extensively throughout North America and Europe, presenting solo violin concerts and appearing as soloist with new music and dance ensembles. His “soundings” improvisations have received international acclaim for “reinventing violin playing,” extending the range of tonal and sound-texture possibilities of the instrument and revealing new dimensions of expressivity. Goldstein played solo and with an ensemble of Seattle musicians.
Earshot Jazz Festival & Nonsequitur
November 4, 2011
Malcolm Goldstein with BF, Stuart Dempster, Eric Barber, Esther Sugai & Lorri Goldston

photo by Daniel Sheehan
Composer and violinist Malcolm Goldstein has been active in the presentation of new music and dance in New York since the early 1960s, as co-founder of the Tone Roads Ensemble and as participant in the Judson Dance Theater, the New York Festival of the Avant Garde and the Experimental Intermedia Foundation. For nearly five decades, he has toured extensively throughout North America and Europe, presenting solo violin concerts and appearing as soloist with new music and dance ensembles. His “soundings” improvisations have received international acclaim for “reinventing violin playing,” extending the range of tonal and sound-texture possibilities of the instrument and revealing new dimensions of expressivity. Goldstein played solo and with an ensemble of Seattle musicians.
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